Desecrating Vows (Rrose Remix)
30s preview
- BPM
- 120
- Open Key
- 8m
- Energy
- 91/100
- Pop
- 1/100
- Length
- 6:32
- Released
- 2023
- Album
- Nailed to the Net
- Genre
- Ebm
- Label
- Bite
- Loudness
- -9.9 dB
- Dynamics
- 7.8 dB
- ISRC
- NLL562201355
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Desecrating Vowsoriginal4A · 133
Against the original (4A at 133 BPM), this version runs 13 BPM slower and moves the key from 4A to 3A.
Desecrating Vows (Rrose Remix): club-tempo ebm, B♭ minor (3A), 120 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More bass-heavy than 93% of Phase Fatale's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- darker than 92% of Phase Fatale's catalogue
- Tempo:
- slower than 88% of Phase Fatale's catalogue
- Groove:
- groovier than 84% of Phase Fatale's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Desecrating Vows (Rrose Remix) in?
Desecrating Vows (Rrose Remix) by Phase Fatale is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Desecrating Vows (Rrose Remix)?
Desecrating Vows (Rrose Remix) runs at 120 BPM, a club-tempo track.
What mixes well with Desecrating Vows (Rrose Remix)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Desecrating Vows (Rrose Remix) good for peak time?
With energy 91 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 120 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More ebm
More from Phase Fatale
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
