City Lights - Phase Fatale Remix
- BPM
- 135
- Open Key
- 9d
- Energy
- 88/100
- Pop
- 4/100
- Length
- 5:04
- Released
- 2024
- Album
- City Lights (Phase Fatale Remix)
- Genre
- Techno
- Loudness
- -9.4 dB
- ISRC
- DEFB42400775
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
City Lights - Phase Fatale Remix: driving up-tempo techno, A♭ major (4B), 135 BPM. The feel is dark and driving. The mix is almost entirely instrumental.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is City Lights - Phase Fatale Remix in?
City Lights - Phase Fatale Remix by Phase Fatale is in A♭ major, or 4B on the Camelot wheel.
What BPM is City Lights - Phase Fatale Remix?
City Lights - Phase Fatale Remix runs at 135 BPM, a driving up-tempo track.
What mixes well with City Lights - Phase Fatale Remix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is City Lights - Phase Fatale Remix good for peak time?
With energy 88 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 135 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More techno
More from Phase Fatale
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.