All the Way - Steve Wish Remix
30s preview
- Key
- 7A · D minor
- BPM
- 130
- Open Key
- 12m
- Energy
- 72/100
- Pop
- 3/100
- Length
- 6:12
- Released
- 2012
- Album
- (R)Evolution [The Remixes]
- Genre
- Trance
- Loudness
- -6.1 dB
- Dynamics
- 12.2 dB
- ISRC
- DEQ691300010
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All the Wayoriginal10B · 128
- All The Way - Extended Mixversion10B · 128
Against the original (10B at 128 BPM), this version runs 2 BPM faster and moves the key from 10B to 7A.
All the Way - Steve Wish Remix runs 130 BPM in D minor (7A), a peak-time tempo trance record. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. Slower than 80% of Paul van Dyk's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 78% of Paul van Dyk's catalogue
- Groove:
- less groove-driven than 75% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is All the Way - Steve Wish Remix in?
All the Way - Steve Wish Remix by Paul van Dyk is in D minor, or 7A on the Camelot wheel.
What BPM is All the Way - Steve Wish Remix?
All the Way - Steve Wish Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with All the Way - Steve Wish Remix?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is All the Way - Steve Wish Remix good for peak time?
With energy 72 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 130 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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