The Woods by Patrice Bäumel cover art

30s preview

Key
3A · B♭ minor
BPM
118
Open Key
8m
Energy
92/100
Pop
6/100
Length
10:52
Released
2013
Genre
Deep House
Label
EX
Loudness
-9.8 dB
Dynamics
15.3 dB
ISRC
NLXE41300001

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

The Woods: mid-tempo deep house, B♭ minor (3A), 118 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 15 dB). A 2013 production that still circulates in sets. Slower than 99% of Patrice Bäumel's catalogue. For programming, treat it as a floor-filler.

Low end:
more treble-tilted than 93% of Patrice Bäumel's catalogue
Energy:
hotter than 90% of Patrice Bäumel's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood31Dark
Groove73
Acoustic0
Instrumental74
Live27
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
26%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is The Woods in?

The Woods by Patrice Bäumel is in B♭ minor, or 3A on the Camelot wheel.

What BPM is The Woods?

The Woods runs at 118 BPM, a mid-tempo track.

What mixes well with The Woods?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is The Woods good for peak time?

With energy 92 out of 100 at 118 BPM, it works best as a floor-filler.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 118 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 118 — beatmatch without a big tempo pull.

More deep house

More from Patrice Bäumel

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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