Wrong Is Right by Oliver Koletzki cover art

Wrong Is Right

Oliver Koletzki

30s preview

Key
9A · E minor
BPM
123
Open Key
2m
Energy
76/100
Pop
7/100
Length
7:02
Released
2018
Album
Noordhoek
Genre
Tech House
Loudness
-8.3 dB
Dynamics
9.4 dB
ISRC
DEVU51798726

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Wrong Is Right is a club-tempo tech house track in E minor (9A) at 123 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. Less groove-driven than 80% of Oliver Koletzki's catalogue. For programming, treat it as a mid-set roller.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy76
Mood17Dark
Groove70
Acoustic0
Instrumental90
Live23
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Wrong Is Right in?

Wrong Is Right by Oliver Koletzki is in E minor, or 9A on the Camelot wheel.

What BPM is Wrong Is Right?

Wrong Is Right runs at 123 BPM, a club-tempo track.

What mixes well with Wrong Is Right?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Wrong Is Right good for peak time?

With energy 76 out of 100 at 123 BPM, it works best as a mid-set roller.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 123 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More tech house

#TrackKey·BPM

More from Oliver Koletzki

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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