Up in the Air
- BPM
- 120
- Open Key
- 7d
- Energy
- 69/100
- Pop
- 0/100
- Length
- 3:37
- Released
- 2014
- Genre
- Tech House
- Loudness
- -6.5 dB
- ISRC
- DEUM71401759
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Up in the Air is a club-tempo tech house track in F♯ major (2B) at 120 BPM. The feel is punchy, neutral in mood. It is vocal-led. A 2014 production that still circulates in sets. More underground than 99% of Oliver Koletzki's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 94% of Oliver Koletzki's catalogue
- Brightness:
- brighter than 76% of Oliver Koletzki's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Up in the Air in?
Up in the Air by Oliver Koletzki is in F♯ major, or 2B on the Camelot wheel.
What BPM is Up in the Air?
Up in the Air runs at 120 BPM, a club-tempo track.
What mixes well with Up in the Air?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Up in the Air good for peak time?
With energy 69 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 120 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Oliver Koletzki
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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