Streetlife - Original Version
30s preview
- BPM
- 125
- Open Key
- 4m
- Energy
- 60/100
- Pop
- 1/100
- Length
- 5:25
- Released
- 2008
- Album
- This Is So Fucking Oldschool
- Genre
- Tech House
- Loudness
- -10.7 dB
- Dynamics
- 11.9 dB
- ISRC
- DEKN60800111
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 125 BPM in F♯ minor (11A), Streetlife - Original Version is a club-tempo tech house production. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2008 production that still circulates in sets. Groovier than 82% of Oliver Koletzki's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- more underground than 80% of Oliver Koletzki's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Streetlife - Original Version in?
Streetlife - Original Version by Oliver Koletzki is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Streetlife - Original Version?
Streetlife - Original Version runs at 125 BPM, a club-tempo track.
What mixes well with Streetlife - Original Version?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Streetlife - Original Version good for peak time?
With energy 60 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 125 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Oliver Koletzki
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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