Sigma King
- BPM
- 106
- Open Key
- 4m
- Energy
- 98/100
- Pop
- 16/100
- Length
- 1:20
- Released
- 2025
- Genre
- Deep House
- Loudness
- -7.6 dB
- ISRC
- QZTPX2573220
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 106 BPM in F♯ minor (11A), Sigma King is a mid-tempo deep house production. Tonally it lands dark and driving. Spoken-word passages run through it. Hotter than 99% of Oliver Koletzki's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- slower than 92% of Oliver Koletzki's catalogue
- Groove:
- less groove-driven than 78% of Oliver Koletzki's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Sigma King in?
Sigma King by Oliver Koletzki is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Sigma King?
Sigma King runs at 106 BPM, a mid-tempo track.
What mixes well with Sigma King?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Sigma King good for peak time?
With energy 98 out of 100 at 106 BPM, it works best as a floor-filler.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 106 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 100-112 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 106 — beatmatch without a big tempo pull.
More deep house
More from Oliver Koletzki
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 106 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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