Self Oscillation
- BPM
- 122
- Open Key
- 4d
- Energy
- 95/100
- Pop
- 4/100
- Length
- 4:19
- Released
- 2022
- Genre
- House
- Loudness
- -7.1 dB
- ISRC
- DEG932104460
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Self Oscillation runs 122 BPM in A major (11B), a club-tempo house record. It reads as bright and euphoric. The mix is almost entirely instrumental. Hotter than 95% of Nicola Cruz's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 95% of Nicola Cruz's catalogue
- Brightness:
- brighter than 95% of Nicola Cruz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Self Oscillation in?
Self Oscillation by Nicola Cruz is in A major, or 11B on the Camelot wheel.
What BPM is Self Oscillation?
Self Oscillation runs at 122 BPM, a club-tempo track.
What mixes well with Self Oscillation?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Self Oscillation good for peak time?
With energy 95 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 122 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Nicola Cruz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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