Marathon (original) by Namito cover art

Marathon (original)

Namito

30s preview

Key
9B · G major
BPM
124
Open Key
2d
Energy
73/100
Pop
1/100
Length
9:08
Released
2011
Genre
Tech House
Loudness
-9.4 dB
Dynamics
9.1 dB
ISRC
DENC31100086

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 124 BPM in G major (9B), Marathon (original) is a club-tempo tech house production. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2011 production that still circulates in sets. More bass-heavy than 96% of Namito's catalogue. For programming, treat it as a mid-set roller.

Brightness:
darker than 95% of Namito's catalogue
Groove:
less groove-driven than 86% of Namito's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy73
Mood4Dark
Groove69
Acoustic1
Instrumental94
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
51%
Low
30-130 Hz
35%
Low-mid
130-570 Hz
13%
Upper-mid
570 Hz-2.5 kHz
0%
High
2.5-11 kHz

FAQ

What key is Marathon (original) in?

Marathon (original) by Namito is in G major, or 9B on the Camelot wheel.

What BPM is Marathon (original)?

Marathon (original) runs at 124 BPM, a club-tempo track.

What mixes well with Marathon (original)?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Marathon (original) good for peak time?

With energy 73 out of 100 at 124 BPM, it works best as a mid-set roller.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 124 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More tech house

More from Namito

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track