Tshika Ti Small Boys
- Key
- 4A · F minor
- BPM
- 113
- Open Key
- 9m
- Energy
- 63/100
- Pop
- 22/100
- Length
- 4:51
- Released
- 2024
- Genre
- African
- Loudness
- -11.5 dB
- ISRC
- ZBQCA2300014
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Tshika Ti Small Boys: mid-tempo african, F minor (4A), 113 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. The master keeps real dynamic headroom. Brighter than 80% of Musa Keys's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 77% of Musa Keys's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Tshika Ti Small Boys in?
Tshika Ti Small Boys by Musa Keys is in F minor, or 4A on the Camelot wheel.
What BPM is Tshika Ti Small Boys?
Tshika Ti Small Boys runs at 113 BPM, a mid-tempo track.
What mixes well with Tshika Ti Small Boys?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Tshika Ti Small Boys good for peak time?
With energy 63 out of 100 at 113 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 113 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 106-120 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 113 — beatmatch without a big tempo pull.
More african
More from Musa Keys
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 113 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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