You Can Forever Be
30s preview
- Key
- 7B · F major
- BPM
- 128
- Open Key
- 12d
- Energy
- 63/100
- Pop
- 33/100
- Length
- 6:17
- Released
- 2023
- Genre
- Techno
- Label
- FCKNG SERIOUS
- Loudness
- -9.2 dB
- Dynamics
- 11.1 dB
- ISRC
- DEY472375600
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 128 BPM in F major (7B), You Can Forever Be is a peak-time tempo techno production. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Faster than 97% of Moritz Hofbauer's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- better known than 95% of Moritz Hofbauer's catalogue
- Groove:
- groovier than 86% of Moritz Hofbauer's catalogue
- Brightness:
- darker than 84% of Moritz Hofbauer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is You Can Forever Be in?
You Can Forever Be by Moritz Hofbauer is in F major, or 7B on the Camelot wheel.
What BPM is You Can Forever Be?
You Can Forever Be runs at 128 BPM, a peak-time tempo track.
What mixes well with You Can Forever Be?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is You Can Forever Be good for peak time?
With energy 63 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 128 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Moritz Hofbauer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
