Dirty Feelings - Original Mix by Monococ cover art

Dirty Feelings - Original Mix

Monococ

30s preview

Key
3A · B♭ minor
BPM
126
Open Key
8m
Energy
80/100
Pop
0/100
Length
6:22
Released
2014
Album
Dirty Feelings / This Night I Follow You
Genre
Techno
Loudness
-8.4 dB
Dynamics
9.2 dB
ISRC
GBKQU1493836

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 126 BPM in B♭ minor (3A), Dirty Feelings - Original Mix is a club-tempo techno production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. More underground than 99% of Monococ's catalogue.

Low end:
more treble-tilted than 77% of Monococ's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy80
Mood27Dark
Groove80
Acoustic0
Instrumental82
Live8
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Dirty Feelings - Original Mix in?

Dirty Feelings - Original Mix by Monococ is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Dirty Feelings - Original Mix?

Dirty Feelings - Original Mix runs at 126 BPM, a club-tempo track.

What mixes well with Dirty Feelings - Original Mix?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Dirty Feelings - Original Mix good for peak time?

With energy 80 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 80/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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