This Time by Moderat cover art

This Time

Moderat

30s preview

Key
10A · B minor
BPM
115
Open Key
3m
Energy
34/100
Pop
0/100
Length
5:46
Released
2013
Genre
Electro
Loudness
-12.1 dB
Dynamics
8.2 dB
ISRC
DEOE81310027

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

This Time runs 115 BPM in B minor (10A), a mid-tempo electro record. The feel is brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Moderat's catalogue. In a set it works best as a warm-up or breakdown cut.

Groove:
less groove-driven than 96% of Moderat's catalogue
Brightness:
darker than 96% of Moderat's catalogue
Energy:
calmer than 91% of Moderat's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy34
Mood4Dark
Groove27
Acoustic30
Instrumental93
Live9
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is This Time in?

This Time by Moderat is in B minor, or 10A on the Camelot wheel.

What BPM is This Time?

This Time runs at 115 BPM, a mid-tempo track.

What mixes well with This Time?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is This Time good for peak time?

With energy 34 out of 100 at 115 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#Track

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 115 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 115 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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