It's Not Real by Mila Journée cover art

It's Not Real

Mila Journée

30s preview

Key
9B · G major
BPM
124
Open Key
2d
Energy
86/100
Pop
15/100
Length
6:43
Released
2024
Genre
Techno
Loudness
-5.8 dB
Dynamics
8.9 dB
ISRC
GBUR62000891

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo techno cut, It's Not Real sits in G major (9B) at 124 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 99% of Mila Journée's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 84% of Mila Journée's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood3Dark
Groove75
Acoustic0
Instrumental83
Live7
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is It's Not Real in?

It's Not Real by Mila Journée is in G major, or 9B on the Camelot wheel.

What BPM is It's Not Real?

It's Not Real runs at 124 BPM, a club-tempo track.

What mixes well with It's Not Real?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is It's Not Real good for peak time?

With energy 86 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#TrackKey·BPM

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 124 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 86/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

#TrackKey·BPM

More from Mila Journée

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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