2012 by Mihalis Safras cover art

30s preview

Key
5B · E♭ major
BPM
125
Open Key
10d
Energy
99/100
Pop
0/100
Length
6:24
Released
2012
Album
5 years of Material
Genre
Tech House
Loudness
-6.1 dB
Dynamics
12.3 dB
ISRC
NLCK41013028

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

2012 runs 125 BPM in E♭ major (5B), a club-tempo tech house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. More underground than 99% of Mihalis Safras's catalogue. In a set it works best as a peak-time weapon.

Energy:
hotter than 96% of Mihalis Safras's catalogue
Groove:
less groove-driven than 91% of Mihalis Safras's catalogue
Low end:
more treble-tilted than 77% of Mihalis Safras's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood42Balanced
Groove74
Acoustic0
Instrumental87
Live15
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is 2012 in?

2012 by Mihalis Safras is in E♭ major, or 5B on the Camelot wheel.

What BPM is 2012?

2012 runs at 125 BPM, a club-tempo track.

What mixes well with 2012?

From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.

Is 2012 good for peak time?

With energy 99 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

5B4B · 6B · 5A

From 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.

#TrackKey·BPM

Every move from 5B

6BSimple Mix Upper
4BSimple Mix Downer
5ATonal Shift·
6ADiagonal Mix Upper
4ADiagonal Mix Downer
8ACompatible Tone·
7BHigh Energy Boost▲▲▲
3BHigh Energy Drain▼▼▼
8BParallel Key Upper▲▲
2BParallel Key Downer▼▼
12BTritone Jump▲▲
9BRelated Keyrisky

How to mix it

In 5B at 125 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 99/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#TrackKey·BPM

More tech house

#TrackKey·BPM

More from Mihalis Safras

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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