Nothing Is Useless - Kasper Koman Remix
30s preview
- BPM
- 121
- Open Key
- 8d
- Energy
- 68/100
- Pop
- 2/100
- Length
- 7:34
- Released
- 2018
- Album
- Nothing Is Useless
- Genre
- Progressive House
- Label
- Strange Town Recordings
- Loudness
- -13.7 dB
- Dynamics
- 11.6 dB
- ISRC
- US83Z1808417
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Nothing Is Uselessoriginal3B · 123
- Nothing Is Useless - Simply City Remixremix2B · 122
Against the original (3B at 123 BPM), this version runs 2 BPM slower in the same key.
Nothing Is Useless - Kasper Koman Remix: club-tempo progressive house, D♭ major (3B), 121 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2018 production that still circulates in sets. Brighter than 83% of Michael A's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- better known than 79% of Michael A's catalogue
- Tempo:
- slower than 78% of Michael A's catalogue
- Low end:
- more bass-heavy than 75% of Michael A's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Nothing Is Useless - Kasper Koman Remix in?
Nothing Is Useless - Kasper Koman Remix by Michael A is in D♭ major, or 3B on the Camelot wheel.
What BPM is Nothing Is Useless - Kasper Koman Remix?
Nothing Is Useless - Kasper Koman Remix runs at 121 BPM, a club-tempo track.
What mixes well with Nothing Is Useless - Kasper Koman Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Nothing Is Useless - Kasper Koman Remix good for peak time?
With energy 68 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
![The Garden [Mix Cut] - Original Mix by 16BL cover art](https://i.scdn.co/image/ab67616d00001e021b1352a1f6efab0d87cda51d){kind=small}
How to mix it
In 3B at 121 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
![String Theory For Beginners [Mix Cut] - Original Mix by 16BL cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/c1c7c46ad73130338156.webp){kind=small}
More progressive house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
