Analog - Nicolas Petracca Outspace Mix
30s preview
- Key
- 9B · G major
- BPM
- 120
- Open Key
- 2d
- Energy
- 85/100
- Pop
- 0/100
- Length
- 9:12
- Released
- 2017
- Album
- Analog (Remixes)
- Genre
- Progressive House
- Loudness
- -11.1 dB
- Dynamics
- 14.2 dB
- ISRC
- QZS1Z1646063
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Analog - Rogier Remixremix1B · 120
- Analog - Erdi Irmak Remixremix3A · 120
- Analog - Jonnas B Remixremix11B · 122
- Analogoriginal10B · 120
- Analog - Jorgio Kioris Remixremix8A · 120
- Analog - Juan Pablo Torrez Remixremix10B · 123
Analog - Nicolas Petracca Outspace Mix: club-tempo progressive house, G major (9B), 120 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2017 production that still circulates in sets. More underground than 99% of Michael A's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- slower than 97% of Michael A's catalogue
- Low end:
- more treble-tilted than 95% of Michael A's catalogue
- Energy:
- hotter than 80% of Michael A's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Analog - Nicolas Petracca Outspace Mix in?
Analog - Nicolas Petracca Outspace Mix by Michael A is in G major, or 9B on the Camelot wheel.
What BPM is Analog - Nicolas Petracca Outspace Mix?
Analog - Nicolas Petracca Outspace Mix runs at 120 BPM, a club-tempo track.
What mixes well with Analog - Nicolas Petracca Outspace Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Analog - Nicolas Petracca Outspace Mix good for peak time?
With energy 85 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 120 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Michael A
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
