Cold by Metodi Hristov cover art

30s preview

Key
2A · E♭ minor
BPM
138
Open Key
7m
Energy
100/100
Pop
17/100
Length
4:12
Released
2024
Genre
Techno
Loudness
-4.3 dB
Dynamics
9.9 dB
ISRC
DEY471832597

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 138 BPM in E♭ minor (2A), Cold is a driving up-tempo techno production. Tonally it lands punchy, neutral in mood. The master is loud and heavily compressed. More treble-tilted than 96% of Metodi Hristov's catalogue. In a set it works best as a peak-time weapon.

Energy:
hotter than 94% of Metodi Hristov's catalogue
Groove:
less groove-driven than 94% of Metodi Hristov's catalogue
Tempo:
faster than 88% of Metodi Hristov's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy100
Mood55Balanced
Groove55
Acoustic0
Instrumental51
Live9
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Cold in?

Cold by Metodi Hristov is in E♭ minor, or 2A on the Camelot wheel.

What BPM is Cold?

Cold runs at 138 BPM, a driving up-tempo track.

What mixes well with Cold?

From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.

Is Cold good for peak time?

With energy 100 out of 100 at 138 BPM, it works best as a peak-time weapon.

Mixes harmonically

2A1A · 3A · 2B

From 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.

#Track

Every move from 2A

3ASimple Mix Upper
1ASimple Mix Downer
2BTonal Shift·
3BDiagonal Mix Upper
1BDiagonal Mix Downer
11BCompatible Tone·
4AHigh Energy Boost▲▲▲
12AHigh Energy Drain▼▼▼
5AParallel Key Upper▲▲
11AParallel Key Downer▼▼
9ATritone Jump▲▲
6ARelated Keyrisky

How to mix it

In 2A at 138 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 100/100).

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track