Transcendental Tree Map by Max Cooper cover art

Transcendental Tree Map

Max Cooper

Key
8A · A minor
BPM
119
Open Key
1m
Energy
86/100
Pop
20/100
Length
7:30
Released
2019
Genre
Techno
Loudness
-11.3 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 119 BPM in A minor (8A), Transcendental Tree Map is a club-tempo techno production. Tonally it lands punchy, neutral in mood. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Hotter than 90% of Max Cooper's catalogue. For programming, treat it as a mid-set roller.

Brightness:
brighter than 81% of Max Cooper's catalogue
Reach:
better known than 79% of Max Cooper's catalogue
Tempo:
slower than 78% of Max Cooper's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood47Balanced
Groove44
Acoustic91
Instrumental94
Live14
Speech6
darkrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Transcendental Tree Map in?

Transcendental Tree Map by Max Cooper is in A minor, or 8A on the Camelot wheel.

What BPM is Transcendental Tree Map?

Transcendental Tree Map runs at 119 BPM, a club-tempo track.

What mixes well with Transcendental Tree Map?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Transcendental Tree Map good for peak time?

With energy 86 out of 100 at 119 BPM, it works best as a mid-set roller.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 119 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 112-126 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 119 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 119 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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