Harmonisch Serie (Kanio remix) by Max Cooper cover art

Harmonisch Serie (Kanio remix)

Max Cooper

30s preview

Key
11A · F♯ minor
BPM
126
Open Key
4m
Energy
92/100
Pop
0/100
Length
6:36
Released
2009
Album
Harmonisch Serie
Genre
Techno
Loudness
-11.6 dB
Dynamics
13.8 dB
ISRC
DEBW20900002

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (1A at 126 BPM), this version holds the same tempo and moves the key from 1A to 11A.

Harmonisch Serie (Kanio remix): club-tempo techno, F♯ minor (11A), 126 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2009 production that still circulates in sets. More underground than 99% of Max Cooper's catalogue. In a set it works best as a peak-time weapon.

Energy:
hotter than 95% of Max Cooper's catalogue
Groove:
groovier than 88% of Max Cooper's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood20Dark
Groove80
Acoustic0
Instrumental86
Live17
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Harmonisch Serie (Kanio remix) in?

Harmonisch Serie (Kanio remix) by Max Cooper is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Harmonisch Serie (Kanio remix)?

Harmonisch Serie (Kanio remix) runs at 126 BPM, a club-tempo track.

What mixes well with Harmonisch Serie (Kanio remix)?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Harmonisch Serie (Kanio remix) good for peak time?

With energy 92 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 126 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 92/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More techno

More from Max Cooper

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track