Last Call
30s preview
- BPM
- 125
- Open Key
- 9d
- Energy
- 73/100
- Pop
- 1/100
- Length
- 7:27
- Released
- 2013
- Album
- Jambo
- Genre
- Techno
- Loudness
- -10.3 dB
- Dynamics
- 12.4 dB
- ISRC
- DEHE41300027
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 125 BPM in A♭ major (4B), Last Call is a club-tempo techno production. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. Brighter than 99% of Marco Faraone's catalogue. In a set it works best as a floor-filler.
- Low end:
- more treble-tilted than 84% of Marco Faraone's catalogue
- Tempo:
- slower than 83% of Marco Faraone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Last Call in?
Last Call by Marco Faraone is in A♭ major, or 4B on the Camelot wheel.
What BPM is Last Call?
Last Call runs at 125 BPM, a club-tempo track.
What mixes well with Last Call?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Last Call good for peak time?
With energy 73 out of 100 at 125 BPM, it works best as a floor-filler.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 125 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Marco Faraone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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