Delusion of the Enemy - Original Mix
30s preview
- BPM
- 123
- Open Key
- 8m
- Energy
- 65/100
- Pop
- 1/100
- Length
- 8:14
- Released
- 2014
- Album
- Shades
- Genre
- House
- Label
- Systematic
- Loudness
- -12.4 dB
- Dynamics
- 10.7 dB
- ISRC
- DEDL81203103
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Delusion of the Enemyoriginal3A · 123
Delusion of the Enemy - Original Mix runs 123 BPM in B♭ minor (3A), a club-tempo house record. The feel is dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. Less groove-driven than 94% of Marc Romboy's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 76% of Marc Romboy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Delusion of the Enemy - Original Mix in?
Delusion of the Enemy - Original Mix by Marc Romboy is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Delusion of the Enemy - Original Mix?
Delusion of the Enemy - Original Mix runs at 123 BPM, a club-tempo track.
What mixes well with Delusion of the Enemy - Original Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Delusion of the Enemy - Original Mix good for peak time?
With energy 65 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 123 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
