The Enemy Inside Me - Rafael Cerato Remix
30s preview
- BPM
- 122
- Open Key
- 8d
- Energy
- 66/100
- Pop
- 0/100
- Length
- 7:31
- Released
- 2017
- Album
- To Love Until We Say Goodbye The Remixes
- Genre
- Tech House
- Loudness
- -8.9 dB
- Dynamics
- 11.6 dB
- ISRC
- GBR5R1300298
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Enemy Inside Meoriginal3B · 107
Against the original (3B at 107 BPM), this version runs 15 BPM faster in the same key.
The Enemy Inside Me - Rafael Cerato Remix runs 122 BPM in D♭ major (3B), a club-tempo tech house record. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2017 production that still circulates in sets. More underground than 99% of Marc Marzenit's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 89% of Marc Marzenit's catalogue
- Tempo:
- slower than 81% of Marc Marzenit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is The Enemy Inside Me - Rafael Cerato Remix in?
The Enemy Inside Me - Rafael Cerato Remix by Marc Marzenit is in D♭ major, or 3B on the Camelot wheel.
What BPM is The Enemy Inside Me - Rafael Cerato Remix?
The Enemy Inside Me - Rafael Cerato Remix runs at 122 BPM, a club-tempo track.
What mixes well with The Enemy Inside Me - Rafael Cerato Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is The Enemy Inside Me - Rafael Cerato Remix good for peak time?
With energy 66 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Marc Marzenit
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.