The Enemy Inside Me - Rafael Cerato Remix by Marc Marzenit cover art

The Enemy Inside Me - Rafael Cerato Remix

Marc Marzenit

30s preview

Key
3B · D♭ major
BPM
122
Open Key
8d
Energy
66/100
Pop
0/100
Length
7:31
Released
2017
Album
To Love Until We Say Goodbye The Remixes
Genre
Tech House
Loudness
-8.9 dB
Dynamics
11.6 dB
ISRC
GBR5R1300298

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3B at 107 BPM), this version runs 15 BPM faster in the same key.

The Enemy Inside Me - Rafael Cerato Remix runs 122 BPM in D♭ major (3B), a club-tempo tech house record. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2017 production that still circulates in sets. More underground than 99% of Marc Marzenit's catalogue. In a set it works best as a mid-set roller.

Brightness:
brighter than 89% of Marc Marzenit's catalogue
Tempo:
slower than 81% of Marc Marzenit's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy66
Mood38Balanced
Groove69
Acoustic0
Instrumental87
Live10
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is The Enemy Inside Me - Rafael Cerato Remix in?

The Enemy Inside Me - Rafael Cerato Remix by Marc Marzenit is in D♭ major, or 3B on the Camelot wheel.

What BPM is The Enemy Inside Me - Rafael Cerato Remix?

The Enemy Inside Me - Rafael Cerato Remix runs at 122 BPM, a club-tempo track.

What mixes well with The Enemy Inside Me - Rafael Cerato Remix?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is The Enemy Inside Me - Rafael Cerato Remix good for peak time?

With energy 66 out of 100 at 122 BPM, it works best as a mid-set roller.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More tech house

More from Marc Marzenit

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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