Tired of You - Original Mix
30s preview
- BPM
- 122
- Open Key
- 8m
- Energy
- 53/100
- Pop
- 1/100
- Length
- 6:04
- Released
- 2020
- Album
- Memories
- Genre
- Tech House
- Label
- Lost On You
- Loudness
- -10.6 dB
- Dynamics
- 10.0 dB
- ISRC
- UKR6V2031410
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tired of You - Rafael Cerato Remixremix9B · 123
- Tired of Youoriginal3A · 122
Tired of You - Original Mix is a club-tempo tech house track in B♭ minor (3A) at 122 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Calmer than 88% of Marc DePulse's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 76% of Marc DePulse's catalogue
- Low end:
- more bass-heavy than 76% of Marc DePulse's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Tired of You - Original Mix in?
Tired of You - Original Mix by Marc DePulse is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Tired of You - Original Mix?
Tired of You - Original Mix runs at 122 BPM, a club-tempo track.
What mixes well with Tired of You - Original Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Tired of You - Original Mix good for peak time?
With energy 53 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 122 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Marc DePulse
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
