Separate The Men From The Boys - Modeplex Remix
30s preview
- Key
- 4A · F minor
- BPM
- 124
- Open Key
- 9m
- Energy
- 69/100
- Pop
- 0/100
- Length
- 8:37
- Released
- 2019
- Album
- Separate the Men from the Boys
- Genre
- Tech House
- Loudness
- -9.8 dB
- Dynamics
- 11.4 dB
- ISRC
- IL4611900790
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Separate The Men From The Boysoriginal4A · 128
- Separate The Men From The Boys - Thodoris Triantafillou Remixremix4B · 120
Against the original (4A at 128 BPM), this version runs 4 BPM slower in the same key.
Separate The Men From The Boys - Modeplex Remix is a club-tempo tech house track in F minor (4A) at 124 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Marc DePulse's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 78% of Marc DePulse's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Separate The Men From The Boys - Modeplex Remix in?
Separate The Men From The Boys - Modeplex Remix by Marc DePulse is in F minor, or 4A on the Camelot wheel.
What BPM is Separate The Men From The Boys - Modeplex Remix?
Separate The Men From The Boys - Modeplex Remix runs at 124 BPM, a club-tempo track.
What mixes well with Separate The Men From The Boys - Modeplex Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Separate The Men From The Boys - Modeplex Remix good for peak time?
With energy 69 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
![Medication (feat. Gene Farris) [Extended Mix] by Jamie Jones cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/c9795eb4321e17326eb3.webp){kind=small}
How to mix it
In 4A at 124 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
![Good Things - (Township Rebellion Remix) [Edit] by Township Rebellion cover art](https://i.scdn.co/image/ab67616d00001e02a5c65b90c0aa37d0e6b6c5ce){kind=small}
More tech house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
