Kiss The Frog
30s preview
- BPM
- 122
- Open Key
- 3d
- Energy
- 90/100
- Pop
- 0/100
- Length
- 6:00
- Released
- 2020
- Album
- Silver Goat
- Genre
- Tech House
- Loudness
- -8.9 dB
- Dynamics
- 11.5 dB
- ISRC
- DESH42000005
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Kiss The Frog is a club-tempo tech house track in D major (10B) at 122 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Marc DePulse's catalogue. In a set it works best as a floor-filler.
- Energy:
- hotter than 90% of Marc DePulse's catalogue
- Brightness:
- darker than 80% of Marc DePulse's catalogue
- Tempo:
- slower than 76% of Marc DePulse's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Kiss The Frog in?
Kiss The Frog by Marc DePulse is in D major, or 10B on the Camelot wheel.
What BPM is Kiss The Frog?
Kiss The Frog runs at 122 BPM, a club-tempo track.
What mixes well with Kiss The Frog?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Kiss The Frog good for peak time?
With energy 90 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 122 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Marc DePulse
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
