Waiting On Myself
30s preview
- Key
- 8A · A minor
- BPM
- 112
- Open Key
- 1m
- Energy
- 64/100
- Pop
- 10/100
- Length
- 6:01
- Released
- 2020
- Album
- Pianonation!
- Genre
- African
- Loudness
- -8.1 dB
- Dynamics
- 16.0 dB
- ISRC
- ZA6EE2000177
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A mid-tempo african cut, Waiting On Myself sits in A minor (8A) at 112 BPM. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 16 dB). Slower than 91% of Major League DJz's catalogue.
- Groove:
- groovier than 85% of Major League DJz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Waiting On Myself in?
Waiting On Myself by Major League DJz is in A minor, or 8A on the Camelot wheel.
What BPM is Waiting On Myself?
Waiting On Myself runs at 112 BPM, a mid-tempo track.
What mixes well with Waiting On Myself?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Waiting On Myself good for peak time?
With energy 64 out of 100 at 112 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 112 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 112 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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