Lose Control by Maddix cover art

Lose Control

Maddix

30s preview

Key
10B · D major
BPM
134
Open Key
3d
Energy
94/100
Pop
0/100
Length
3:00
Released
2018
Genre
Electro House
Label
Revealed Recordings
Loudness
-5.4 dB
Dynamics
9.8 dB
ISRC
NLQ8D1700506

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Lose Control is a peak-time tempo electro house track in D major (10B) at 134 BPM. It reads as dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. More underground than 99% of Maddix's catalogue. For programming, treat it as a peak-time weapon.

Low end:
more bass-heavy than 90% of Maddix's catalogue
Groove:
less groove-driven than 80% of Maddix's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood11Dark
Groove53
Acoustic0
Instrumental54
Live40
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
25%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Lose Control in?

Lose Control by Maddix is in D major, or 10B on the Camelot wheel.

What BPM is Lose Control?

Lose Control runs at 134 BPM, a peak-time tempo track.

What mixes well with Lose Control?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Lose Control good for peak time?

With energy 94 out of 100 at 134 BPM, it works best as a peak-time weapon.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 134 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 94/100).

Similar tempo

Within ±3 BPM of 134 — beatmatch without a big tempo pull.

More electro house

More from Maddix

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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