Direct Dizko by Maddix cover art

Direct Dizko

Maddix

30s preview

Key
3B · D♭ major
BPM
140
Half-time
70
Open Key
8d
Energy
92/100
Pop
48/100
Length
3:19
Released
2024
Genre
Techno
Label
Extatic Records
Loudness
-7.2 dB
Dynamics
7.8 dB
ISRC
NLQ8D2400911

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 140 BPM in D♭ major (3B), Direct Dizko is a driving up-tempo techno production. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 91% of Maddix's catalogue. For programming, treat it as a peak-time weapon.

Reach:
better known than 88% of Maddix's catalogue
Low end:
more bass-heavy than 81% of Maddix's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood48Balanced
Groove64
Acoustic3
Instrumental72
Live11
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Direct Dizko in?

Direct Dizko by Maddix is in D♭ major, or 3B on the Camelot wheel.

What BPM is Direct Dizko?

Direct Dizko runs at 140 BPM, a driving up-tempo track.

What mixes well with Direct Dizko?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Direct Dizko good for peak time?

With energy 92 out of 100 at 140 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#Track

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 140 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 92/100).

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

#Track

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#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track