BAD EYEZ
30s preview
- BPM
- 123
- Open Key
- 5m
- Energy
- 43/100
- Pop
- 52/100
- Length
- 3:57
- Released
- 2021
- Genre
- Dancehall
- Label
- Moonboys Entertainment
- Loudness
- -8.6 dB
- Dynamics
- 13.0 dB
- ISRC
- DECE72100566
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
BAD EYEZ is a club-tempo dancehall track in D♭ minor (12A) at 123 BPM. The feel is balanced in mood. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Better known than 86% of Luciano's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- groovier than 84% of Luciano's catalogue
- Energy:
- calmer than 83% of Luciano's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is BAD EYEZ in?
BAD EYEZ by Luciano is in D♭ minor, or 12A on the Camelot wheel.
What BPM is BAD EYEZ?
BAD EYEZ runs at 123 BPM, a club-tempo track.
What mixes well with BAD EYEZ?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is BAD EYEZ good for peak time?
With energy 43 out of 100 at 123 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 123 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More dancehall
More from Luciano
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
