The Masters at Work - Remix
30s preview
- Key
- 4A · F minor
- BPM
- 123
- Open Key
- 9m
- Energy
- 93/100
- Pop
- 9/100
- Length
- 4:25
- Released
- 2020
- Album
- The Masters at Work (Remixes)
- Genre
- House
- Loudness
- -13.2 dB
- Dynamics
- 17.2 dB
- ISRC
- USAT20902678
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Masters at Work - Remix runs 123 BPM in F minor (4A), a club-tempo house record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). More treble-tilted than 95% of Louie Vega's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- hotter than 94% of Louie Vega's catalogue
- Groove:
- less groove-driven than 86% of Louie Vega's catalogue
- Tempo:
- slower than 80% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is The Masters at Work - Remix in?
The Masters at Work - Remix by Louie Vega is in F minor, or 4A on the Camelot wheel.
What BPM is The Masters at Work - Remix?
The Masters at Work - Remix runs at 123 BPM, a club-tempo track.
What mixes well with The Masters at Work - Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is The Masters at Work - Remix good for peak time?
With energy 93 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
![Can't Lie (feat. Geneva White) [Low Steppa's Deeper Extended Mix] by Low Steppa cover art](https://i.scdn.co/image/ab67616d00001e021aecada3cb2a06f4f3c597cc){kind=small}
How to mix it
In 4A at 123 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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