I Deserve To Breathe - Phil Asher Dub
30s preview
- BPM
- 124
- Open Key
- 8d
- Energy
- 80/100
- Pop
- 0/100
- Length
- 9:00
- Released
- 2017
- Album
- In the Morning / I Deserve To Breathe
- Genre
- House
- Loudness
- -6.6 dB
- Dynamics
- 10.8 dB
- ISRC
- GBKQU1710319
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Deserve To Breathe - Album Mixoriginal3B · 124
- I Deserve To Breathe - Louie Vega Gene Perez Bass Mixoriginal3B · 124
- I Deserve To Breathe - Louie Vega New Remixremix3B · 124
- I Deserve To Breathe - Chymamusique Vocal Remixremix8B · 124
- I Deserve To Breathe - Radio Edit 1version3B · 124
- I Deserve To Breathe - Radio Edit 2version4A · 124
Against the original (3B at 124 BPM), this version holds the same tempo in the same key.
At 124 BPM in D♭ major (3B), I Deserve To Breathe - Phil Asher Dub is a club-tempo house production. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. More underground than 99% of Louie Vega's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 79% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is I Deserve To Breathe - Phil Asher Dub in?
I Deserve To Breathe - Phil Asher Dub by Louie Vega is in D♭ major, or 3B on the Camelot wheel.
What BPM is I Deserve To Breathe - Phil Asher Dub?
I Deserve To Breathe - Phil Asher Dub runs at 124 BPM, a club-tempo track.
What mixes well with I Deserve To Breathe - Phil Asher Dub?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is I Deserve To Breathe - Phil Asher Dub good for peak time?
With energy 80 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
![Need U (100%) [feat. A*m*e] [Artful Bootleg Mix] by Duke Dumont cover art](https://i.scdn.co/image/ab67616d00001e028254a70d719190b1d070a431){kind=small}
How to mix it
In 3B at 124 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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