Free To Love - David Morales Disco Juice Vocal Mix
30s preview
- BPM
- 125
- Open Key
- 9d
- Energy
- 87/100
- Pop
- 17/100
- Length
- 3:37
- Released
- 2022
- Album
- Free To Love (Remixes)
- Genre
- House
- Loudness
- -6.0 dB
- Dynamics
- 10.9 dB
- ISRC
- USNRS2242451
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Free To Love - Mike Dunn Black Love Mixoriginal3B · 125
- Free To Love (feat. Karen Harding)original3B · 125
- Free To Love - David Morales Disco Loop Mixoriginal3B · 125
- Free To Love - Josh Milan Free Mixoriginal9A · 128
- Free To Love (feat. Karen Harding) - [Extended Version]version3B · 125
At 125 BPM in A♭ major (4B), Free To Love - David Morales Disco Juice Vocal Mix is a club-tempo house production. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 95% of Louie Vega's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 91% of Louie Vega's catalogue
- Energy:
- hotter than 79% of Louie Vega's catalogue
- Brightness:
- brighter than 77% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Free To Love - David Morales Disco Juice Vocal Mix in?
Free To Love - David Morales Disco Juice Vocal Mix by Louie Vega is in A♭ major, or 4B on the Camelot wheel.
What BPM is Free To Love - David Morales Disco Juice Vocal Mix?
Free To Love - David Morales Disco Juice Vocal Mix runs at 125 BPM, a club-tempo track.
What mixes well with Free To Love - David Morales Disco Juice Vocal Mix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Free To Love - David Morales Disco Juice Vocal Mix good for peak time?
With energy 87 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
![Free To Love (feat. Karen Harding) - [Extended Version] by Louie Vega cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/108b673b4a6e0e7dcc12.webp){kind=small}
How to mix it
In 4B at 125 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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