Welcome to the Future
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 5m
- Energy
- 98/100
- Pop
- 4/100
- Length
- 3:37
- Released
- 2006
- Genre
- Drum N Bass
- Loudness
- -4.6 dB
- Dynamics
- 15.0 dB
- ISRC
- GBCJY0611214
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Welcome to the Future runs 174 BPM in D♭ minor (12A), a drum n bass record. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 15 dB). A 2006 production that still circulates in sets. More bass-heavy than 90% of Logistics's catalogue. In a set it works best as an opener or closing-set piece.
- Brightness:
- brighter than 84% of Logistics's catalogue
- Energy:
- hotter than 82% of Logistics's catalogue
- Tempo:
- slower than 76% of Logistics's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Welcome to the Future in?
Welcome to the Future by Logistics is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Welcome to the Future?
Welcome to the Future runs at 174 BPM.
What mixes well with Welcome to the Future?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Welcome to the Future good for peak time?
With energy 98 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 174 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Logistics
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.