Tokyo Nights
- Key
- 9A · E minor
- BPM
- 125
- Open Key
- 2m
- Energy
- 92/100
- Pop
- 48/100
- Length
- 5:59
- Released
- 2023
- Genre
- Melodic Techno
- Loudness
- -7.1 dB
- ISRC
- USA2P2356680
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 125 BPM in E minor (9A), Tokyo Nights is a club-tempo melodic techno production. Tonally it lands dark and driving. The mix is almost entirely instrumental. Better known than 99% of Lehar's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 93% of Lehar's catalogue
- Brightness:
- darker than 84% of Lehar's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Tokyo Nights in?
Tokyo Nights by Lehar is in E minor, or 9A on the Camelot wheel.
What BPM is Tokyo Nights?
Tokyo Nights runs at 125 BPM, a club-tempo track.
What mixes well with Tokyo Nights?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Tokyo Nights good for peak time?
With energy 92 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 125 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More melodic techno
More from Lehar
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.