WASTE LAND
30s preview
- Key
- 5A · C minor
- BPM
- 138
- Open Key
- 10m
- Energy
- 72/100
- Pop
- 3/100
- Length
- 6:34
- Released
- 2020
- Album
- WASTELAND EP
- Genre
- Techno
- Label
- Kmyle Records
- Loudness
- -10.1 dB
- Dynamics
- 10.9 dB
- ISRC
- FR9W11927643
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo techno cut, WASTE LAND sits in C minor (5A) at 138 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More treble-tilted than 84% of Kmyle's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 79% of Kmyle's catalogue
- Reach:
- better known than 79% of Kmyle's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is WASTE LAND in?
WASTE LAND by Kmyle is in C minor, or 5A on the Camelot wheel.
What BPM is WASTE LAND?
WASTE LAND runs at 138 BPM, a driving up-tempo track.
What mixes well with WASTE LAND?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is WASTE LAND good for peak time?
With energy 72 out of 100 at 138 BPM, it works best as a mid-set roller.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
![Temple - Ø [Phase] Remix by Len Faki cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/922f81155d8ccf3579d7.webp){kind=small}
How to mix it
In 5A at 138 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More techno
More from Kmyle
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
