telepathic synchrony
30s preview
- BPM
- 130
- Open Key
- 6m
- Energy
- 89/100
- Pop
- 0/100
- Length
- 8:09
- Released
- 2017
- Genre
- Techno
- Loudness
- -10.8 dB
- Dynamics
- 12.7 dB
- ISRC
- FR9W11623843
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo techno cut, telepathic synchrony sits in A♭ minor (1A) at 130 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2017 production that still circulates in sets. Brighter than 99% of Kmyle's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- more underground than 99% of Kmyle's catalogue
- Energy:
- hotter than 80% of Kmyle's catalogue
- Low end:
- more treble-tilted than 79% of Kmyle's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is telepathic synchrony in?
telepathic synchrony by Kmyle is in A♭ minor, or 1A on the Camelot wheel.
What BPM is telepathic synchrony?
telepathic synchrony runs at 130 BPM, a peak-time tempo track.
What mixes well with telepathic synchrony?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is telepathic synchrony good for peak time?
With energy 89 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 130 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Kmyle
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
