Colourblind - Radio Edit
- Key
- 9A · E minor
- BPM
- 122
- Open Key
- 2m
- Energy
- 75/100
- Pop
- 2/100
- Length
- 3:29
- Released
- 2019
- Album
- Colourblind (Radio Edit)
- Genre
- Tech House
- Loudness
- -10.6 dB
- ISRC
- GBSCL1935100
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Colourblind - Max Chapman & George Smeddles Remixremix10B · 125
- Colourblind - Sosa Remixremix11B · 126
- Colourblind - Mendo Remixremix11A · 124
- Colourblind - Instrumental Mixoriginal9B · 122
- Colourblind - Skream Remixremix9B · 126
- Colourblind - Vocal Mixoriginal9A · 122
Against the original (9A at 122 BPM), this version holds the same tempo in the same key.
A club-tempo tech house cut, Colourblind - Radio Edit sits in E minor (9A) at 122 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Slower than 98% of Ki Creighton's catalogue. In a set it works best as a floor-filler.
- Brightness:
- darker than 96% of Ki Creighton's catalogue
- Energy:
- calmer than 86% of Ki Creighton's catalogue
- Reach:
- better known than 76% of Ki Creighton's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Colourblind - Radio Edit in?
Colourblind - Radio Edit by Ki Creighton is in E minor, or 9A on the Camelot wheel.
What BPM is Colourblind - Radio Edit?
Colourblind - Radio Edit runs at 122 BPM, a club-tempo track.
What mixes well with Colourblind - Radio Edit?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Colourblind - Radio Edit good for peak time?
With energy 75 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 122 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Ki Creighton
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
