Shady
- BPM
- 123
- Open Key
- 8d
- Energy
- 74/100
- Pop
- 0/100
- Length
- 5:31
- Released
- 2016
- Genre
- Tech House
- Loudness
- -10.2 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Shady - Jacob Korn Remixremix3B · 123
- Shadyoriginal9B · 123
Shady: club-tempo tech house, D♭ major (3B), 123 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More underground than 99% of Kevin Over's catalogue. For programming, treat it as a floor-filler.
- Groove:
- less groove-driven than 87% of Kevin Over's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Shady in?
Shady by Kevin Over is in D♭ major, or 3B on the Camelot wheel.
What BPM is Shady?
Shady runs at 123 BPM, a club-tempo track.
What mixes well with Shady?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Shady good for peak time?
With energy 74 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 123 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
