Get Myself Together - Kevin McKay Extended Edit
30s preview
- BPM
- 122
- Open Key
- 7d
- Energy
- 89/100
- Pop
- 0/100
- Length
- 6:24
- Released
- 2020
- Album
- Get Myself Together
- Genre
- House
- Loudness
- -6.2 dB
- Dynamics
- 10.4 dB
- ISRC
- GBPQS2000072
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Get Myself Together - Kevin McKay Editversion2B · 122
Get Myself Together - Kevin McKay Extended Edit is a club-tempo house track in F♯ major (2B) at 122 BPM. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Kevin McKay's catalogue. In a set it works best as a floor-filler.
- Groove:
- groovier than 98% of Kevin McKay's catalogue
- Tempo:
- slower than 96% of Kevin McKay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Get Myself Together - Kevin McKay Extended Edit in?
Get Myself Together - Kevin McKay Extended Edit by Kevin McKay is in F♯ major, or 2B on the Camelot wheel.
What BPM is Get Myself Together - Kevin McKay Extended Edit?
Get Myself Together - Kevin McKay Extended Edit runs at 122 BPM, a club-tempo track.
What mixes well with Get Myself Together - Kevin McKay Extended Edit?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Get Myself Together - Kevin McKay Extended Edit good for peak time?
With energy 89 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 122 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Kevin McKay
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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