Sweet Rose
30s preview
- Key
- 6A · G minor
- BPM
- 115
- Open Key
- 11m
- Energy
- 51/100
- Pop
- 0/100
- Length
- 7:57
- Released
- 2024
- Album
- Evacuation
- Genre
- House
- Loudness
- -12.9 dB
- Dynamics
- 15.6 dB
- ISRC
- QZWDD2420264
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sweet Rose - Original Mixoriginal2B · 116
Sweet Rose is a mid-tempo house track in G minor (6A) at 115 BPM. Tonally it lands dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). More underground than 99% of Kek'star's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 91% of Kek'star's catalogue
- Brightness:
- darker than 83% of Kek'star's catalogue
- Tempo:
- slower than 82% of Kek'star's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Sweet Rose in?
Sweet Rose by Kek'star is in G minor, or 6A on the Camelot wheel.
What BPM is Sweet Rose?
Sweet Rose runs at 115 BPM, a mid-tempo track.
What mixes well with Sweet Rose?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Sweet Rose good for peak time?
With energy 51 out of 100 at 115 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 115 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More house
More from Kek'star
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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