Deadline - Original Mix
30s preview
- Key
- 9B · G major
- BPM
- 118
- Open Key
- 2d
- Energy
- 49/100
- Pop
- 0/100
- Length
- 5:54
- Released
- 2020
- Album
- Straggling EP
- Genre
- House
- Loudness
- -16.4 dB
- Dynamics
- 14.4 dB
- ISRC
- QZ5FN2075212
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Deadline - Original Mix: mid-tempo house, G major (9B), 118 BPM. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). More underground than 99% of Kek'star's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 99% of Kek'star's catalogue
- Brightness:
- darker than 98% of Kek'star's catalogue
- Groove:
- groovier than 97% of Kek'star's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 12%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Deadline - Original Mix in?
Deadline - Original Mix by Kek'star is in G major, or 9B on the Camelot wheel.
What BPM is Deadline - Original Mix?
Deadline - Original Mix runs at 118 BPM, a mid-tempo track.
What mixes well with Deadline - Original Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Deadline - Original Mix good for peak time?
With energy 49 out of 100 at 118 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 118 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More house
More from Kek'star
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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