Digital Analog - Edit
30s preview
- BPM
- 120
- Open Key
- 8m
- Energy
- 78/100
- Pop
- 5/100
- Length
- 6:32
- Released
- 2020
- Album
- Digital Analog
- Genre
- Tribal House
- Loudness
- -11.6 dB
- Dynamics
- 12.1 dB
- ISRC
- US83Z2032508
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Digital Analogoriginal3A · 123
Against the original (3A at 123 BPM), this version runs 3 BPM slower in the same key.
Digital Analog - Edit runs 120 BPM in B♭ minor (3A), a club-tempo tribal house record. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Groovier than 88% of Karyendasoul's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- slower than 87% of Karyendasoul's catalogue
- Brightness:
- darker than 85% of Karyendasoul's catalogue
- Low end:
- more bass-heavy than 77% of Karyendasoul's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Digital Analog - Edit in?
Digital Analog - Edit by Karyendasoul is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Digital Analog - Edit?
Digital Analog - Edit runs at 120 BPM, a club-tempo track.
What mixes well with Digital Analog - Edit?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Digital Analog - Edit good for peak time?
With energy 78 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 120 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tribal house
More from Karyendasoul
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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