Waterfall - Original Mix
30s preview
- BPM
- 124
- Open Key
- 8m
- Energy
- 67/100
- Pop
- 0/100
- Length
- 8:16
- Released
- 2014
- Album
- Waterfall
- Genre
- Progressive House
- Loudness
- -8.3 dB
- Dynamics
- 9.2 dB
- ISRC
- ES27S1400066
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo progressive house cut, Waterfall - Original Mix sits in B♭ minor (3A) at 124 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. More underground than 99% of Kamilo Sanclemente's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 93% of Kamilo Sanclemente's catalogue
- Low end:
- more bass-heavy than 92% of Kamilo Sanclemente's catalogue
- Energy:
- calmer than 91% of Kamilo Sanclemente's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Waterfall - Original Mix in?
Waterfall - Original Mix by Kamilo Sanclemente is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Waterfall - Original Mix?
Waterfall - Original Mix runs at 124 BPM, a club-tempo track.
What mixes well with Waterfall - Original Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Waterfall - Original Mix good for peak time?
With energy 67 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More progressive house
More from Kamilo Sanclemente
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
