NO NO NO - Juan Beldarrein Remix by Kamilo Sanclemente cover art

NO NO NO - Juan Beldarrein Remix

Kamilo Sanclemente

30s preview

Key
11B · A major
BPM
124
Open Key
4d
Energy
86/100
Pop
0/100
Length
7:37
Released
2024
Album
NO NO NO
Genre
Progressive House
Loudness
-9.4 dB
Dynamics
12.9 dB
ISRC
DEZN82362643

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9A at 123 BPM), this version runs 1 BPM faster and moves the key from 9A to 11B.

NO NO NO - Juan Beldarrein Remix runs 124 BPM in A major (11B), a club-tempo progressive house record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Kamilo Sanclemente's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
faster than 85% of Kamilo Sanclemente's catalogue
Brightness:
darker than 76% of Kamilo Sanclemente's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood17Dark
Groove79
Acoustic3
Instrumental80
Live11
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is NO NO NO - Juan Beldarrein Remix in?

NO NO NO - Juan Beldarrein Remix by Kamilo Sanclemente is in A major, or 11B on the Camelot wheel.

What BPM is NO NO NO - Juan Beldarrein Remix?

NO NO NO - Juan Beldarrein Remix runs at 124 BPM, a club-tempo track.

What mixes well with NO NO NO - Juan Beldarrein Remix?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is NO NO NO - Juan Beldarrein Remix good for peak time?

With energy 86 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 124 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 86/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More progressive house

More from Kamilo Sanclemente

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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