Innocense - Triucid Extended Remix by Kamilo Sanclemente cover art

Innocense - Triucid Extended Remix

Kamilo Sanclemente

30s preview

Key
4B · A♭ major
BPM
124
Open Key
9d
Energy
71/100
Pop
6/100
Length
7:33
Released
2022
Album
Beyond the Future, Vol. 4
Genre
Progressive House
Label
Proton Music
Loudness
-12.0 dB
Dynamics
11.1 dB
ISRC
US83Z2231799

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3B at 122 BPM), this version runs 2 BPM faster and moves the key from 3B to 4B.

A club-tempo progressive house cut, Innocense - Triucid Extended Remix sits in A♭ major (4B) at 124 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). More bass-heavy than 96% of Kamilo Sanclemente's catalogue. For programming, treat it as a floor-filler.

Tempo:
faster than 85% of Kamilo Sanclemente's catalogue
Energy:
calmer than 84% of Kamilo Sanclemente's catalogue
Brightness:
brighter than 83% of Kamilo Sanclemente's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy71
Mood60Balanced
Groove80
Acoustic1
Instrumental91
Live6
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
43%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Innocense - Triucid Extended Remix in?

Innocense - Triucid Extended Remix by Kamilo Sanclemente is in A♭ major, or 4B on the Camelot wheel.

What BPM is Innocense - Triucid Extended Remix?

Innocense - Triucid Extended Remix runs at 124 BPM, a club-tempo track.

What mixes well with Innocense - Triucid Extended Remix?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Innocense - Triucid Extended Remix good for peak time?

With energy 71 out of 100 at 124 BPM, it works best as a floor-filler.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 124 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More progressive house

More from Kamilo Sanclemente

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track