
Vanadis - Edit
30s preview
- Key
- 9B · G major
- BPM
- 122
- Open Key
- 2d
- Energy
- 83/100
- Pop
- 0/100
- Length
- 3:25
- Released
- 2019
- Album
- Vanadis
- Genre
- Progressive House
- Loudness
- -10.6 dB
- Dynamics
- 10.2 dB
- ISRC
- GBJX31612024
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Vanadisoriginal4B · 122
Against the original (4B at 122 BPM), this version holds the same tempo and moves the key from 4B to 9B.
Vanadis - Edit: club-tempo progressive house, G major (9B), 122 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Jeremy Olander's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 97% of Jeremy Olander's catalogue
- Groove:
- less groove-driven than 77% of Jeremy Olander's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Vanadis - Edit in?
Vanadis - Edit by Jeremy Olander is in G major, or 9B on the Camelot wheel.
What BPM is Vanadis - Edit?
Vanadis - Edit runs at 122 BPM, a club-tempo track.
What mixes well with Vanadis - Edit?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Vanadis - Edit good for peak time?
With energy 83 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 122 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Jeremy Olander
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.