Stamp Your Feet
- BPM
- 132
- Open Key
- 11d
- Energy
- 90/100
- Pop
- 0/100
- Length
- 6:02
- Released
- 2024
- Genre
- Techno
- Loudness
- -10.6 dB
- ISRC
- GXBAV2434110
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 132 BPM in B♭ major (6B), Stamp Your Feet is a peak-time tempo techno production. The mix is almost entirely instrumental. The master keeps real dynamic headroom. More underground than 99% of Jeff Mills's catalogue.
- Groove:
- groovier than 86% of Jeff Mills's catalogue
- Tempo:
- faster than 75% of Jeff Mills's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Stamp Your Feet in?
Stamp Your Feet by Jeff Mills is in B♭ major, or 6B on the Camelot wheel.
What BPM is Stamp Your Feet?
Stamp Your Feet runs at 132 BPM, a peak-time tempo track.
What mixes well with Stamp Your Feet?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Stamp Your Feet good for peak time?
With energy 90 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 132 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More techno
More from Jeff Mills
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.