See This Way - Blue Potential Version by Jeff Mills cover art

See This Way - Blue Potential Version

Jeff Mills

30s preview

Key
2A · E♭ minor
BPM
126
Open Key
7m
Energy
56/100
Pop
7/100
Length
6:02
Released
2006
Album
Blue Potential - Live with Montpelier Philharmonic Orchestra
Genre
Techno
Loudness
-13.7 dB
Dynamics
20.6 dB
ISRC
FR47T0500015

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

See This Way - Blue Potential Version: club-tempo techno, E♭ minor (2A), 126 BPM. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 21 dB). A 2006 production that still circulates in sets. More treble-tilted than 88% of Jeff Mills's catalogue. In a set it works best as a mid-set roller.

Energy:
calmer than 78% of Jeff Mills's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy56
Mood37Balanced
Groove53
Acoustic4
Instrumental43
Live98
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
28%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is See This Way - Blue Potential Version in?

See This Way - Blue Potential Version by Jeff Mills is in E♭ minor, or 2A on the Camelot wheel.

What BPM is See This Way - Blue Potential Version?

See This Way - Blue Potential Version runs at 126 BPM, a club-tempo track.

What mixes well with See This Way - Blue Potential Version?

From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.

Is See This Way - Blue Potential Version good for peak time?

With energy 56 out of 100 at 126 BPM, it works best as a mid-set roller.

Mixes harmonically

2A1A · 3A · 2B

From 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.

Every move from 2A

3ASimple Mix Upper
1ASimple Mix Downer
2BTonal Shift·
3BDiagonal Mix Upper
1BDiagonal Mix Downer
11BCompatible Tone·
4AHigh Energy Boost▲▲▲
12AHigh Energy Drain▼▼▼
5AParallel Key Upper▲▲
11AParallel Key Downer▼▼
9ATritone Jump▲▲
6ARelated Keyrisky

How to mix it

In 2A at 126 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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